
Discover the fantastic origins of The Huntsman (Chris Hemsworth) in this prequel to Snow White and the Huntsman from Universal Studios and writer/director Frank Darabont (The Green Mile, The Mist). ~ Jason Buchanan, Rovi
About The Huntsman Winters War
Artist : Charlize Theron, Chris Hemsworth, Jessica Chastain, Rob Brydon, Nick FrostAs : Ravenna, The Huntsman, Sara, Gryff, Nion
Title : Watch The Huntsman Winters War Online Free BoxOfficeMojo
Release date : 2016-04-22
Movie Code : 2381991
Duration : 123
Category : Action, Adventure, Drama, Fantasy
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Vastly superior to Mirror, Mirror in every way. Great work from Charlize Theron.
Is this movie trying to be "Excalibur" or "My Little Pony"?
It turns into a clangy medieval epic, full of random woodland monsters and battles, and it begins to lose the pulse of its fairy-tale mystique. It's like watching Clash of the Titans IV: Revenge of the Blood Apple.
Snow White and the Huntsman has a darkness that seeps into the soul - but it's also definitely a missed opportunity. Director Rupert Sanders loses his nerve just when the story starts cooking.
Sanders makes all the mistakes of a neophyte filmmaker, but doing it with such a massive budget leads to a cinematic hodgepodge of fractured fairy-tale imagery, computer-generated menacing forests and gamboling, turtle-riding fairies.
A film that's considerably longer than it needs be, in which the evocative eloquence of storybook pictures is consistently garbled by the need to overexplain and psychoanalyze.
Snow does earn top billing, but don't be fooled: This film belongs to the Oscar-winning Theron, who sinks her talons into the killer part, making every snarl and outburst such wicked, cruel fun to behold.
After a while, you just sit back and let the thing wash over you, marveling and giggling as necessary.
"Snow White and the Huntsman" reinvents the legendary story in a film of astonishing beauty and imagination.
The only one who comes out of this odd pairing unscathed is Walt Disney, looking smarter than ever for boiling the tale down to its mythical essence way back in 1937.
Theron gives the picture some spine. As Snow White, Kristen Stewart supplies the heart.
Sanders does not (yet) share Guillermo del Toro's gifts, but he, too, has an eye for the beautiful and the grotesque, and for that entrancing borderline where the two meet.
Perhaps the best thing about "Snow White and the Huntsman" is it doesn't smirk at itself. It plays out as a story about mortality and greed and oppression in a fantastical world, but it doesn't act as if anything is silly.
There is something exciting about how seriously "Snow White and the Huntsman" takes its themes.
This slightly overstuffed entertainment rises, in part thanks to [Hemsworth], to one of the most pleasant surprises of the summer movie season so far.
What dooms Snow White and the Huntsman is ultimately not how over the top it is, but how dull it is.
Astonishingly beautiful and breathtaking in its brutal imagery, Snow White & the Huntsman is thrilling and frightening in equal measure, yet as bereft of satisfying substance as a poisoned apple.
A bold rethinking of a familiar old story and striking design elements are undercut by a draggy mid-section and undeveloped characters in Snow White and the Huntsman.
Some of the fairy tale effects are marvelous; but the odyssey from darkness to light is unduly long and sloggy, and Stewart, with her contemporary edge, seems to be acting in the wrong era.
Witless, heartless and dull. Even the Twi-hards are going to want their money back.
Handsome but hollow.
The director sets a heart-pounding pace, pausing only for such interludes as Snow White's encounter with seven dwarfs who could not be more distant from their Disney forebears.
"Snow White and the Huntsman" never quite delivers on its promise - a dark retelling of the fairy tale in which women hold the true power, good and evil - but it certainly is an attractive misfire.
When Snow rides into battle wielding a sword, you want to tell her to put that thing down before she pokes her eye out.
The film . proceeds with a deliberateness rare in a big-budget franchise starter; you can sense the hand of coscreenwriter Hossein Amini (Drive) in the story's always involving, slow-build structure.
As far as live-action reimaginings of fairy tales are concerned, this is one of the more inventive ones and is unquestionably better than 2011's Red Riding Hood misfire.
A surprisingly fine, fantastic movie it is.
The film has the DNA of a blockbuster and the soul of a haunting folk tale. It is as dangerous, dark, intelligent and beautiful as its wraithlike villainess.
This over-crammed, disjointed, and lugubrious film is misconceived from the ground up.
Fails to realize the full potential of its ambitiously dark vision.
Huntsman feints at being the Snow White retelling no one has ever seen before, but ultimately becomes the "been there, done that" of fairy-tale filmmaking.
Rare among the recent fairy tale adaptions (from Mirror Mirror to the dreadful Red Riding Hood) the invigorating Snow White and the Huntsman actually breathes new life into an old story.
There will be lots of versions of Theron's evil queen running around West Hollywood this Halloween; it's a performance that's one part Tilda Swinton to 30 parts Faye Dunaway, the sort of over-the-top craziness that spawns midnight screenings.
It is an absolute wonder to watch and creates a warrior princess for the ages. But what this revisionist fairy tale does not give us is a passionate love - its kisses are as chaste as the snow is white.
[It] all feels like serious, pay-attention-now, schoolroom stuff - Shakespeare without the poetry, "Braveheart" without the performances.
A slow, boring film that has no charm and is highlighted only by a handful of special effects and Charlize Theron's truly evil queen.
This "Snow White" is one of those revisionist fairy tales in which the princess takes control of her own destiny. A different actress might have been able to sell that, but Stewart can't.
Stunningly shot and inconsistently acted and written, Snow White has enough visual fireworks to keep the film afloat, even if star Kristen Stewart can't get out of Twilight mode.
There are many splendid reasons to see Snow White and the Huntsman - enough, maybe, not to care that neither Snow White nor the Huntsman rank high among them.
"Snow White and the Huntsman," a solemn but mostly savvy rewrite, is a welcome upgrade.
A virtual orchard of toxic excess, starting with the unnecessarily sprawling cast of characters.
At its best, "Snow White and the Huntsman" feels less like a desperate blockbuster and more like a handmade object.
I resisted this derivative mishmash of classic fairytale and modern epic fantasy for as long as I could, but ultimately it swept me up into its geeky but manly embrace and carried me away on a white charger.
Only Bob Hoskins as the blind seer Muir comes close to making us care. We can almost glean Snow White's heroic possibilities through his clouded eyes. As much as we'd like to, we certainly can't from Stewart's efforts.
The movie's revisionist tone is startlingly enough to carry you along.
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