Exodus: Gods And Kings

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From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure "Exodus: Gods and Kings," the story of one man‘s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues. (c) Fox.

About Exodus: Gods and Kings

Artist : Christian Bale, Ben Kingsley, Joel Edgerton, John Turturro, Sigourney Weaver
As : MosesRamses
Title : Exodus: Gods And Kings Online Free
Release date : 2014-12-12
Movie Code : 1528100
Duration : 142
Category : Drama


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Name : Cary Darling a.k.a Fort Worth Star-Telegram/DFW.com
An even better special effect would have been having a main cast that actually reflects the Mediterranean/North African desert environment.There are darker-skinned actors on the screen, though they just happen to be all slaves, servants and soldiers.

Name : Chris Nashawaty a.k.a Entertainment Weekly
Before you're able to get too distracted by Exodus' flaws, Scott reaches back into his bag of pixie dust and whips up another grand illusion.

Name : Ignatiy Vishnevetsky a.k.a AV Club
At least DeMille knew how to put on a show; the best this offers are a few bursts of Old Testament camp .

Name : A.O. Scott a.k.a New York Times
"Exodus" is ludicrous only by accident, which isn't much fun and is the surest sign of what we might call a New Testament sensibility at work. But the movie isn't successfully serious, either.

Name : Stephen Whitty a.k.a Newark Star-Ledger
A mish-mash - part half-committed melodrama, part half-thought-out political provocation.

Name : Stephanie Merry a.k.a Washington Post
It's understandable that people were angry about the whitewashing of Egypt. But no aspiring actor of color should think of this as an opportunity missed so much as a bullet dodged.

Name : Chris Vognar a.k.a Dallas Morning News
Admirably cogent, even colloquial, Exodus plows through its stages efficiently, methodically and without much Old Testament passion.

Name : Claudia Puig a.k.a USA Today
Bland, overly long and otherwise forgettable.

Name : Joe Neumaier a.k.a New York Daily News
This eye-rollingly bad movie is silly, sluggish and miscast.

Name : James Berardinelli a.k.a ReelViews
The screenplay (credited to four screenwriters) is a mess, the pacing is uneven, the acting is inconsistent, and the experience as a whole is a letdown.

Name : Jake Coyle a.k.a Associated Press
For an epic, there are, at best, only two clearly seen characters in Exodus.

Name : Rene Rodriguez a.k.a Miami Herald
This is spectacular entertainment, practically a theme park ride, that could have used more spirituality and soul.

Name : Rafer Guzman a.k.a Newsday
"Exodus" turns out to be part of a time-honored tradition: the old-fashioned, super-spectacular Hollywood bomb.

Name : Lou Lumenick a.k.a New York Post
An utterly clueless, relentlessly grim and rambling action epic guaranteed to displease devout Jews, Christians and Muslims alike, amuse atheists - and generally bore everyone.

Name : J. R. Jones a.k.a Chicago Reader
The movie works well as big-budget spectacle despite a ho-hum script.

Name : Joe Williams a.k.a St. Louis Post-Dispatch
We have no idea. What's the point of a Moses movie without a message from the mountaintop? Scott has broken the second commandment of a Bible movie: Have something to say and someone majestic to say it.

Name : Joe Morgenstern a.k.a Wall Street Journal
For all of the care and imagination that have been lavished on the production. the film's impact is best expressed by frequent aerial shots that are visually impressive and emotionally remote.

Name : Amy Nicholson a.k.a L.A. Weekly
Ridley Scott can't decide if making rivers run with blood is heroic or horrific - you sense he'd rather make Gladiator II: Attack of the Frogs.

Name : Ty Burr a.k.a Boston Globe
"Exodus: Gods and Kings" does a fair job of giving us what might be called The Second-Greatest Story Ever Told. What it never convinces us of is why.

Name : Mick LaSalle a.k.a San Francisco Chronicle
After a strong opening and a sagging middle, "Exodus: Gods and Kings" regains its stride and surpasses itself in the last third, when the God of Abraham unleashes a series of calamities on Egypt and the royal household.

Name : Bill Goodykoontz a.k.a Arizona Republic
"Exodus: Gods and Kings" has drawn fire for casting White actors in the major roles, but don't get too bogged down in that. Really, that's hardly the only reason to not like it.

Name : Richard Roeper a.k.a Richard Roeper.com
'Exodus: Gods and Kings' is spectacular.

Name : David Ehrlich a.k.a Time Out New York
The ultimate takeaway is that if you can't finance a $140 million epic about ancient Egypt with racially appropriate actors, maybe you shouldn't make a $140 million epic about ancient Egypt.

Name : Mark Jenkins a.k.a NPR
Crowd-wowing CGI spectacle and the inevitable if inconsequential 3-D effects make Exodus look like pure product, without any defining vision.

Name : Justin Chang a.k.a Variety
The result feels less like a straightforward retread of the biblical narrative than an amped-up commentary on it: This "Exodus" comes at you in a heady and violent onrush of incident .

Name : Liam Lacey a.k.a Globe and Mail
While the pale skin tones (bronzer is selectively applied) and haphazard mix of American and British accents is distracting, it barely scratches the surface of Exodus's ungainly artificiality.

Name : Alonso Duralde a.k.a TheWrap
You'll leave humming the plagues.

Name : Randy Myers a.k.a San Jose Mercury News
What this 3-D extravaganza gets spectacularly right is in putting the epic back into the biblical epic.

Name : Christopher Orr a.k.a The Atlantic
This is the first portrayal of God I've ever encountered who looked like he could use a good spanking.

Name : Steven Rea a.k.a Philadelphia Inquirer
Computer-generated imaging has advanced spectacularly over the decades, but moviegoers, and gamers, have been there every step of the way. Miracles aren't as impressive as they used to be.

Name : Soren Anderson a.k.a Seattle Times
Its grandiose set pieces feel empty and imitative (Scott pulled off this kind of thing much more successfully in "Gladiator"), and the whole picture feels glitzy and hollow at the core.

Name : Peter Travers a.k.a Rolling Stone
Scott departs from Scripture enough to raise hackles. For example, this Moses sees God in the person of an insolent schoolboy (Isaac Andrews).

Name : Colin Covert a.k.a Minneapolis Star Tribune
Moses is imagined as if Scott met him on an awkward first date.

Name : Bilge Ebiri a.k.a New York Magazine/Vulture
Exodus: Gods and Kings is as uneven as Ridley Scott's career; at times, it seems to be a journey through the director's greatest strengths and weaknesses. The good news is that his strengths eventually win out .

Name : Linda Barnard a.k.a Toronto Star
Director Ridley Scott ticks the visual "epic" box with Exodus: Gods and Kings, but leaves emotion in the dust by trading spectacle for a compelling story.

Name : Michael Phillips a.k.a Chicago Tribune
Momentous conversations periodically grind any retelling of the Moses story to a halt, but Scott keeps his head down, plows through and then gets out of the way while visual effects supervisor Peter Chiang and his slave army take it on home.

Name : Kenneth Turan a.k.a Los Angeles Times
Scott is nothing if not a master orchestrator of chaos, and, both intentionally and otherwise, "Exodus: Gods and Kings" offers plenty of that.

Name : Christy Lemire a.k.a RogerEbert.com
A numbing and soulless spectacle of 3-D, computer-generated imagery run amok, Ridley Scott's "Exodus: Gods and Kings" presents an enduring tale by pummeling us over the head with it.

Name : Tom Long a.k.a Detroit News
"Exodus" is an exercise in visual trickery that reaches for nothing beyond the obvious.

Name : Stephen Farber a.k.a Hollywood Reporter
No movie with such a limp ending can be fully satisfying, and the beginning also falters. But the long middle section is a rousing good show.

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